Wednesday 29 May 2013

Once Upon A Time In Mumbai Again Trailer

This time it's going to be personal says the first look of Once Upon A Time In 

Mumbaai Again.


Tuesday 28 May 2013

Aashiqui 2 joins the Rs 100 crore club


Aashiqui 2 joins the Rs 100 crore club
Aditya Roy Kapur and Shraddha Kapoor in a still from Aashiqui 2


Director Mohit Suri's musical saga Aashiqui 2 has become the latest to join the Rs 100 crore club and the producers are elated.

Released on April 26, the musical love story, starring Aditya Roy Kapur and Shraddha Kapoor, was made on a budget of Rs 9 crore.

Aashiqui 2 was co-produced by Vishesh Films and T-Series. Mukesh Bhatt of Vishesh Films is elated with the success of the movie and says they have set a trend with the film.

"I am very happy because I am the only producer who has given biggest blockbusters with newcomers... As a producer what can give me more joy than that," Bhatt told IANS.

Bhushan Kumar, chief managing director, T-Series, is too rejoicing the success.

"With the blessing of my father Gulshan Kumarji under the able guidance of Bhatt saab and the dynamic pre-release efforts of my T-Series team in a limited period of three weeks, Aashiqui 2 has become a new landmark film with relatively new faces in the 100th year of Indian cinema," said Kumar in a statement.

Policegiri Official Trailer

Sanju Baba Is Back With A Brand New Combo Avatar In Policegiri...Here's The Trailer

Sunday 26 May 2013

Movie Review:Ishk In Paris

Movie Review:Ishk In Paris

A still from the film Ishkq in Paris.
Spare a thought for Preity Zinta. As if it wasn’t bad enough that bubbliness is not equal to a pout that looks vaguely siliconic, even Air India flights aren’t giving her bhao and the press is taking her to task for the sound bytes she’s been giving ever since spot-fixing in the IPL went from general gossip to confirmed fact.
For most of her career in Bollywood, Zinta has had the reputation of being smart, sensible, funny and no-nonsense. Consequently, when she suggested polygraph tests be administered on those accused of spot-fixing (has she not watched White Collar or Homeland? Those polygraph tests are very unreliable) and put forward the theory that India is a nation of “scamsters” because “this is in our blood”, it took us by surprise. Surely the Preity Zinta we’ve known and adored was smarter and funnier than this?

A still from the film Ishkq in Paris.
Today, however, the reason Zinta has been behaving so oddly can finally be revealed: the actress still hasn’t snapped out of the role she played in Ishkq in Paris, a film she’s produced and co-written.

In Ishkq in Paris, Zinta plays Ishkq Elise, whose mother is Marie (Isabelle Adjani). From her unnatural chirpiness, we may deduce that Ishkq is a bimbette teenager trapped in a 38-year-old’s body. It’s either that or she’s suffering from the trauma of looking at the Cubist sculpture that is Isabelle Adjani’s botox-and-plastic-surgery-devastated face and realising she could look like that one day. The horror, the horror.

Whatever the underlying reason, Ishkq is an odd bird. It seems she doesn’t know how to walk. She either skips (when she’s happy) or shuffles (when she’s sad). Her mood changes quicker than the weather, but her facial expressions stay much the same (give or take a glycerine-induced tear). When she wants a shift in the course of conversation, she hollers “Topic change!” but doesn’t actually change the topic. She’s commitment shy and pretends to be “psycho” when the craziest thing she does in the movie is go looking for dinner at midnight in Paris. As anyone who has been to Paris will tell you, that’s no time for din-din.

Then again, the Paris in Ishkq in Paris isn’t precisely the city of love that the French tourism board keeps telling us to visit. For one thing, a lot of it looks like Prague. Sure, it has the Eiffel Tower, but many of those streets and buildings are distinctly un-French in terms of their architecture. Most importantly, if you can find me a Parisian home that has a black woman dressed in a French maid outfit opening the door for you, I’ll swear off macarons for a week.

Ishkq in Paris begins as Zinta’s attempt at Indianising Before Sunrise. Ishkq (Zinta) meets Akash (Gaurav Chanana) who suggests she spend one night showing him the sights and sounds of Paris. After 24 hours, they’re going to go their separate ways and never see each other again. What follows is one of the most inept attempts by mankind to hit on a woman and convince her to sleep with him. It is no surprise Akash doesn’t get any, but I’m getting ahead of myself.

Here are some tips from Ishkq and Akash’s guide to Paris by night:

1. Clubs in Paris have can can dancers. Because it’s the city of Moulin Rouge. Duh!

2. There are places in Paris called Montmarte and Park.

3. Belly dancers are psychics.

4. Lots of people in Paris know Hindi, including faded movie stars and belly dancers.

5. Chunky Pandey is now a belly-button baring street performer in Paris.

After their one night of fun fun fun, Akash goes back to London but he can’t forget Ishkq. Instead of trying to get in touch with her and saying hello, he does what most Indian men would do: he stalks her on Facebook. Then, when he is invited to a wedding in Paris, it’s the perfect opportunity to meet Ishkq again, abandon his job in London and canoodle with her. Like all love stories, this one too has a twist. When Akash tells Ishkq he loves her, the commitment-shy Ishkq tells him she wants no part of this relationship business. In response, Akash is cruelly nasty to Ishkq and when Ishkq’s mother (Adjani) tries to act as peacemaker, Akash behaves like an obnoxious brat and tells her that he disapproves of the older woman’s life choices.

Of course everything ends happily ever after for Ishkq and Akash. Not just that, Ishkq even has a Digjam moment when she meets her long-lost father, Shekhar Kapur. And Adjani puts on a salwar kameez and bangles, dances and even manages to force a smile out of her rigid muscles.

The above are mere glimpses of the assaults on logic and sensibility that one has to suffer just from watching Ishkq in Paris. Imagine writing, acting and producing the movie — it appears one of the things Zinta scrimped on was the wardrobe budget since all her skirts in the film were clearly bought from the kids’ section — and you’ve got to admit, Zinta’s suffered a lot. No wonder she’s stopped making sense.

Wednesday 22 May 2013

Andaaz Apna Apna 2 To Go on Floors

Andaaz Apna Apna 2 To Go on Floors:


Rajkumar Santoshi to start the project by end of this year

It is official. The sequel to the 1994 rib-tickler starring Aamir Khan and Salman KhanAndaz Apna Apna is finally going on floors by the third week of December. Producer Vinay Kumar Sinha had approached Rajkumar Santoshi, the director of the original, to helm the project and Santoshi, who has agreed to do the project, is likely to begin with the pre-production as soon as he wraps up Phata Poster Nikla Hero which he is currently shooting.

Although the cast of the second installment of Andaz Apna Apna is yet to be finalised, there are effort to get part of the original cast on board. Vinay Kumar told TOI, " We will be discussing the project with Aamir and Salman. It would be great if that works out. Otherwise, we'll sign up some other actors to play the lead."

TOI has also learnt that Sinha has roped in Ram Mirchandani, co producer of Vicky Donor, to head the production unit for the film.

Explaining why he chose to make a sequel to the film after 19 years, Vinay Kumar said: "People were asking me to do a sequel ever since the film became a hit. At that time, I was not too sure, if the Indian audience is ready for a second part. But, now the time is ripe. Remakes and sequels are in vogue. "

Wednesday 15 May 2013

Yamla Pagla Deewana 2(2013) Mp3

Yamla Pagla Deewana 2(2013) Mp3:

















Direct Download Links For Hindi Movie Yamla Pagla Deewana Two MP3 Songs (128 Kbps):

01 - Yamla Pagla Deewana Download
Shankar Mahadevan
02 - Changli Hai Changali Hai Download
Mika Singh
03 - Suittera Laal Rang Da Download
Sonu Nigam, Sunidhi
04 - Main Taan Aidaan Hi Nachna Download
Diljit Dosanjh
05 - Jatt Yamla Pagla Ho Gaya Download
Mika,Suzanne
06 - Sadi Daru Da Pani Download
Toshi Sabri, Sanchita
07 - Jatt Yamla Pagla Ho Gaya (Version) Download
Sharib
08 - PD2 (Mash Up) Download
Shankar Mahadevan

Download All Songs (128 Kbps) – Direct Download Link


Download All Songs (320 Kbps) – Direct Download Link

Saturday 11 May 2013

Go Goa Gone Review

Go Goa Gone Review


Not taking into account the expression-less "actors" who have infested Hindi films from time immemorial, zombies are a relatively new phenomenon in Hindi cinema. We did have a zombie film some weeks ago which, like most characters in films of that genre, died a swift death. Forget that.

Go Goa Gone is a zombie fiesta!

"Go Goa Gone" is a savagely funny take on the mythic cult of zombies. Since we are new to the genre, there are sly footnotes about them. Characters in the course of their casual and quite corny conversations tell us plenty about Zombie folklore. 

That zombies enjoy eating human flesh, that they cannot run fast and most of all, zombies are actually dead people.

Working backwards on the premise of heroes shooting the dead, the director duo have fashioned a fiercely funny fable filled with loads of innocuous innuendos and rumbustious scare attacks that never quite reach the stage of stomach-churning gore-o-logy (to invent a term, and why not since this film is about inventive creation).

"Go Goa Gone" can be seen as a brutal burlesque of the horror genre. Scenes of ghouls/zombies chasing our puny heroes through the Goan foliage are more satirical than scary. This innovative ode to terror moves at a quirky yet measured pace, gamboling quickly from one well-written scene of mock-terror to another without losing track of the film's ultimate 'bro-mantic' purpose.

For starters, the three heroes - Kunal Khemu, Vir Das and the quietly effective Anand Tiwari - who travel to Goa for fun frolic and, ahem, the fraulein (if you'll excuse my German) look like cocky offshoots of the trio from Farhan Akhtar's "Dil Chahta Hai". 

Interestingly, one of Farhan's protagonists Saif Ali Khan here transforms into a blonde Russian zombie slayer named Boris whose accent keeps slipping off. And that's fine because Boris is not really Russian.

Ha ha. And this is not a scary movie. Not really. Ha ha again. The principal actors are fully in-sync with the zany mood. Saif as a pseudo-Russian zombie hunter gives a performance to 'dye' for.

The laughs flow with energetic gusto melting into a tide of spooky gore without creating a genre-confounding mess. Kunal and Sita Menon's Hindi dialogues catch the fervour of the tongue-in-cheek words cheekily. 

Here is one film that doesn't lose its way in translation. Though the characters 'think' in English (Hardik, indeed!) and although the whole concept of a zombie flick is very B-grade off-mainstream Hollywood, the hair-raising hijinks manage to stay relatively sleaze-free.

Peppery and with a pinch of 'assault', the performances are pitched at just the right flavour of fright. All the three main actors have fun with their parts. But it is Kunal who seems the most at ease playing a synthesis of the slimy and the slippery without falling out of character.

A true gem of an actor, why is Khemu not given more interesting work to do? 

Saif's star turn as the "Russian" sharpshooter is understandably self-mocking in tone. Saif's character is in keeping with the film. You really can't take the terror template seriously. And yet you get the uneasy feeling that the joke is on us.

A zombie fiesta that's savagely funny and surreptitiously scary, who but the co-directors of the genre-defying "Shor In The City" could convert the kookie content into an experience of a 'laugh'-time!

Oh yes, there's the mandatory glam-quotient in the figure of Puja Gupta. In her presence Hardik, giggles, gets really excited.

Go for "Go Goa Gone". It's a stressbuster with balls, nerves and chutzpah.

Oh yes, Goa as shot by Lukas Pruchnik and Dan MacArthur never looked more inviting. And less hospitable.

Tuesday 7 May 2013

Shoot Out At Wadala Review


Shoot Out At Wadala Review

Shootout At Wadala posterShootout At Wadala
Cast: John Abraham, Anil Kapoor, Manoj Bajpai, Kangna Ranaut, Tusshar Kapoor, Sonu Sood, Jackie Shroff, Ronit Roy
Direction: Sanjay Gupta
Rating:   4 Star Rating: Recommended4 Star Rating: Recommended4 Star Rating: Recommended4 Star Rating: Recommended







Guns, gore and blasts. Toss the item bombs into the mix and you have the good old seeti bajaao stuff going. Shootout At Wadala (SAW) marking the return of director Sanjay Gupta does not reveal much ambition beyond pleasuring the larger audience with a loud spectacle of sex and violence, but it works.

The film borrows from S. Hussain Zaidi's book Dongri To Dubai to account the Mumbai police force's first recorded encounter killing - of gangster Manya Surve at the Wadala junction on November 1, 1982. In that sense, the events in this film precede the timeline of Shootout At Lokhandwala (SOL), Gupta's 2007 production narrating the Maya Dolas encounter of 1991. SAW is definitely more gripping than SOL.

Gupta has picked a sliver of an account from Zaidi's book and mixed it with liberal doses of fiction to get the drama going in SAW. Adapting original tales to suit desi tastes has always been the director's forte. In the past, he has lifted ideas from sources as diverse as Hollywood, Korean and Japanese films. This time, he officially draws inspiration from Zaidi's book. You won't miss the Tarantino-esque edge in treatment, too.

SAW is entertaining fare if you are willing to overlook authenticity, and the fact that the pace is sluggish in portions of the second half. Overall, it is a gangsta trip throbbing with adrenaline rush and Gupta does well to underplay the melodrama so as not to dilute the impact. Lovers of hardcore action should lap it up. The violence in the film is strong but it never gets extreme.

John Abraham was designer perfect as Manya, hunk of an antihero who is emotionally vulnerable but shrewd as a goon. John gives his best to this film, making most of the action hero avatar at hand.

The film benefits from a stellar supporting cast. Anil Kapoor's top cop is a delight to watch, scoring with sheer screen presence. Manoj Bajpai's role bearing shades of Dawood Ibrahim's brother is a prime attraction. Sonu Sood continues evolving with each new role.

SAW is a toast to machismo and heroine Kangna Ranaut does not get much scope as Manya's lover, beyond the steamy lovemaking grind. Any resemblance her look may bear to Rekha's in Ijaazat is purely coincidental, we guess.


Read more at: http://indiatoday.intoday.in/story/shootout-at-wadala-movie-review/1/269148.html